How do
you feel your headline tour has done so far?
It's completely amazing, it's been better than most of us have expected
because we're able to use this whole like-- today the stage is like, this big [small], so we're not able to use any of the production we bought, but we
have a truck with us that's full of just cabinets-- like the back line in
production that we put into this tour is the first time we've put that amount of
money to a live show. And it just feels really fuckin' badass to be able to give
fans something for their ticket price. It's like, if you're going to pay that
much money to come see us play, then we're going to give you a badass show. It's
been a really good tour, really successful, really fun, and just awesome. No
complaints in our camp, no complaints on anyone's camp, it's been really
good.
You guys have had a headline tour before and I saw you guys in 2008, and
you've also been opening acts for some tours, so how does it feel to be a
headliner versus an opening act?
Headlining is amazing, it's amazing because it's your show, there's no
restrictions. You're the headlining band, you get to do all the production, the
backdrop, the light show, just everything. It makes so much more than an opening
band, you can just go up there and play your songs for 20 minutes, and then
you're done. Like, our set tonight is like an hour long; we play an hour long
set every night. Being able to play that long, really gives our fans more than
going and singing five songs or six songs, they get it going.
See like,
twelve songs, it's like "whoa! I just saw twelve of my favorite band's songs!"
It gives them-- my preference, I love headlining. But at the same time, I hate
it, because we have to wait. We're the first ones here, first ones in the venue,
and then the last ones in the place. It's like, you're done sound checking at
one o'clock and we just do this all day. And all day, you wait, and you wait,
and you wait, and then it's show time. It's just-- the waiting part sucks, the
waiting part really does suck.
You guys have
been on tour pretty much nonstop over the last few years--
Nonstop, like nonstop, literally 200-something, 300 shows a year. It's
seriously just like-- every single-- I mean, just 'cause we're not here, doesn't
mean we're on tour, we seriously, when we're not in the United States, we're in
Canada; not in Canada, we're in Europe; not in Europe; we're in Russia, not in
Russia, we're in the UK; and Australia, not in Australia, in New Zealand.
There's-- I mean, if you're a band and you have your music up on the internet,
there's people that obviously have access to your music all over the world. So,
everyone deserves to be able to see their favorite band play, and that's what we
do. I don't know, we all like it a lot, but it's hard work.
How is it when you go back home after a long tour?
It's like day and night. I mean, you go from this lifestyle to 100%
completely different life with a 3-year-old daughter. So, I go from doing this
full-time to being a full-time daddy when I'm home, and going back to doing this
full-time. So it's like night and day for me. It's like, you just end up getting
used to switching on tour-mode and switching off on home-mode.
It's like this endless cycle; it kind of sucks because your whole life's on a
deadline. It's like, you get this much time home and you get this much time
here; everything's on a deadline, and that kind of gets overwhelming at times,
to where your whole life is someone else's schedule; that sucks. But, at the
same time, it's like, I wouldn't have it any other way.
You guys are working on a new album...Could you tell me some details about
what's going on with that?
Yeah. Well, we don't know who's going to produce it, but I mean, we don't
even have a name for the title of the album yet. But, we have songs written,
it's going to be another brutal-ass fuckin' Suicide Silence record. I
mean, this one's going to be definitely the hookiest, catchiest of the three that we've done.
This one we're really going to push to a whole new-- like, take heavy metal,
this form of heavy metal-- further than anyone's ever taken it, just because all
everyone's head's are at right now, it's more-so in the writing process, and
then having guest vocalists that can actually sing, like in harmonies, just
doing all of this crazy stuff. We always do stuff that I know other bands are
afraid to do and we're just going to do a whole bunch of that again on this
record and just make it that much more badass than everyone else's because we're
not afraid to do anything, like making music.
Can you tell me who you have in mind for the guest vocalists?
We have a lot of ideas for guest vocalists. We've got our fingers crossed on
a lot of really, really big names that we really hope come through. I mean, it's
going to be a surprise. Some of the people we picked, you're going to be like,
"What the fuck?! They're going to sing on a Suicide Silence song?!" But
then, you'll hear it, and it'll blow your mind, I'm sure.
How do you feel your next album will compare to your previous few?
It'll compare structurally-wise, like the songwriting in the last record was
really well, there was a lot-- instead of just being like blast beat, breakdown,
blast beat, breakdown, blast beat, breakdown, it's like actual song structures
there, coherent songwriting is actually there. There's actually repetition in
the songs, there's just a lot more going on that makes it more of a well-rounded
song. I think that's where The Cleansing lackaced, The
Cleansing was like, "GO-STOP...GO-STOP..." So, now this next record, I
think we're all becoming better actual songwriters. The songs will be better
songs, not just cool parts here, cool parts there; just, that's an amazing song,
as a whole package.
Are you expecting
any challenges on the new album?
Challenges, that's what music is. I mean, especially when you're a writer.
Any type of writing, it's like challenging yourself to be better and then
challenging yourself to try to be better than everyone else, there's a lot that
goes into your head when you're writing, so you want challenges. You want
challenges because it makes you a better writer in the long run.
You reissued No Time to Bleed earlier this year, how has that been going so
far?
It's cool because it has the DVD's and stuff, live show stuff, like funny
stuff that kind of shows the band's personality more so than just a record where
you can listen to. You kind more of a visual seal, whole package of what's
really going because it has really a lot of cool different DVD footage on it too
for fans that might not have ever seen us play live or-- I don't know, it's the
whole package of stuff you don't normally get when you buy a record. You know,
extra media that we had sitting there, so why not just give it to our fans, the
people who are real, true fans.
This next question is one that somebody wanted me to ask you guys... Chris
wanted to know: In the song ...And Then She Bled, why did you guys use the audio
from the 911 call from where the lady had her face ripped off by a monkey?
Umm... Just because, the whole record we were trying to make, like a scary
theme, kind of like a horror movie, like when you listen to a record and it just
kind of goes like 'this' and it doesn't really take you a anywhere; we try to
make our record like a movie... Like, "Ohhhh, it's peaking!" And then, "Ohhhh,
ok a low time!" And at that low time, it's like, you want-- if I'm not singing,
I want the mood of the song to be terrifying still, not without words. So we're
like what's something that super terrifying. We actually remade that phone call,
we hired people to come in and redo it.
So that's not actual the original phone call. But, the fear and the terror in
that woman's voice, what she's saying, that's real. And having real, raw emotion
on any record, makes you get goose bumps; and that's when you know it's a good
song. Anything that gives you goose bumps is-- that's what your body's feeling;
that's a real, raw emotion, where you're like, "Oh, shit!" And that's what makes
music amazing, and being able to create that, incite that in people, is the best
feeling in the world.
You guys are getting ready to film your DVD at the California shows coming
up--
Yeah, at the California Glass House show in Pamona, and then the show
in San Diego at Soma. Both of those shows will be live DVD shoots-- not
live, but recorded for the DVD.
Why did you pick those two locations?
Well, it's California, our hometown with our friends, family, and then just
have it be as crazy as possible.
When you film the DVD, what is it that you want to translate from the stage
to your fans' TV, when they watch it?
Just the violence that is our live show and on this tour, like I said,
tonight we weren't able to use any of our production because the stage is so
small. But at these venues, the stage is massive and we're going to have (counts) 3, 6, 9... 12 guitar cabs. But, just being able to do the full
thing and have it captured on film, it's just going to be like, "Holy fuck! Look
at that!"
I remembered seeing pictures of Pantera's backline, when you
watch the Cowboys From Hell DVDs, and you're just like, "Oh
my God, look at all of those cabs!" And me being that young and seeing that on
my TV, where it's like, "Holy shit! Like, that's a concert!! There's like
a-hundred speakers behind him!" And then being able to be in those shoes and
like give that to someone who was my age and have them be like, "Holy fuck!
That's badass!" And that's how I felt about Pantera when I was that
little. And if kids are that young and are feeling that way about our band now,
then that's amazing. You know, that's big shoes to fill, big people to follow;
we're just following in their [Pantera's] footsteps.
I have to ask since you're talking about Pantera... What's your favorite
Pantera song?
Favorite Pantera song... What's the one where he's like, "I fucked your
girlfriend last night..."
Good Friends and a Bottle of Pills.
You know what, I don't know why that's my favorite song, because he's just--
almost like my favorite Suicide Silence song is ...And Then She
Bled because I'm not singing in it, and it's almost like having Phil
Anselmo just sit there and talk pissed, weird shit the whole time, it's just
like-- OHHH, I LOVE IT!!!! And even the stuff the guitar's doing, it's just
like, [mimics guitar sound] "rrrrr...rrrrr.....rrrrr...."
What kind of significance or impact do you believe Suicide Silence has left
on your fans?
Umm... I hope it's a positive one, I mean, most of my songwriting's about
saying things for how it is, thinking about stuff that people don't think about,
it's like I'm putting thoughts into people's heads that just go over the general
population. And I think by doing that, can make people better people, just by thinking and
knowing that the world doesn't revolve necessarily around you and just a bunch
of people. It's like, there's a lot of like, messages in all of the songs that--
I hope people are kind of taking away positive things, but I think when you see
our live show, and you feel the emotion that we're really giving out to them,
they leave like, "Wow! He really means that shit."
There's a lot of performers, a lot of frontmen that don't give that energy to
the crowd, and that's when you don't feel like you're a part of it. When I'm on
stage, that's when I feel more comfortable than anything, and I give my whole
self to the crowd, it's like I get so drained after playing for an hour because
it's not just my body's becoming strained, it's what I'm saying. The reason I
wrote these things was because they mean stuff to me, and it's like having the
feeling and giving the feeling to people, and seeing people take it in, it's
like the biggest feeling in the world.
Do you think that is what makes Suicide Silence's fans so passionate, or why
do you think that is?
I think-- I honestly don't know. We have amazing fans, bottom line. The fact
that they are this passionate really is what has made us keep doing this.
Without the fans as passionate and as gung-ho as they are about our band and
stuff, I don't think we'd be doing this. The fans keep us going.
How do you want Suicide Silence to be remembered decades from now?
I just want to be known as a badass heavy metal band that put on a badass
live show. Like, that's it. Think about anytime people have seen Slipknot or like, Pantera, or even like Korn, it's like, "Oh, that band was
badass! And that show was badass!" It's not just like, "Oh, they sound good on
CD, but their shows kind of suck." Or "The show's good, but they suck on CD. I
want the whole package, badass metal band, badass live show, badass CD's." I
just want to be a badass metal band! (laughs)
You guys were
named the Breakthrough Artist by the L.A. Times last year [2009], how do you
feel that Suicide Silence, as a band, has followed up since being classified as
that?
Ummm... By the time that came out, it was like, printed in press, and then I
think we were on Warped Tour and people had the opportunity
everywhere to see if we lived up to the reputation, and every day on Warped Tour, we killed it. So, we followed up our reputation
pretty well and now it's time to really show off what we can do with our third
record. I think that will be the thing that people-- it'll turn people's heads
'cause we're really going to work hard on it and make it just amazing.
Do you have an idea for when you want to release the third album?
June-ish. Not too long, but still a good chunk of time.
You have a side project, Commissioner...
Yes.
How would you
explain or describe your sound in Commissioner compared to Suicide Silence for
people who have never heard it before.
Well, it's like the same-- kind of the same vocal style, but I'm basically
rapping, but the way I sing, over music that's never been created before. It's
like one-time, first-time music that's never ever, ever, ever been created. But,
it's like being able to do what I do and am good at and kind of bring it over
into another genre that's just like, dancey and steppy. It's just
like-- I think it's fuckin' cool; we're actually going to have the EP out this
December. It'll be in Hot Topic and online, on our online store, and on
the iTunes store around December. It's like six songs total.
Would you ever want to go on tour with Commissioner?
Well... I do not really want to tour on it, but I want to be able to play
shows everywhere still. Like, do like, "Oh I'm home, I can set up like five
shows, one in Texas, one in Florida, one in this place, one in that place, this
place, that place..." And kind of do that and hype them up to where it's like
we're really big and good, fun "dancey" shows, I guess. It's the complete
opposite of what I want these live shows to be, just like the complete opposite
feel, but still fun.